Dolby Atmos

Most studios bolt Atmos onto a room built for stereo. At Clearmountain's Berkeley Street Studios, and at Bob Clearmountain's Mix This!, immersive was part of the design from the start. Five rooms across both facilities are equipped for Dolby Atmos, each tuned to a different stage of the process: from the reference console to a stage that puts an audience inside a finished mix.

The result is a creative environment where the same record can be tracked, mixed in full surround, mastered, and played back for guests without ever leaving the room.

The reference heart of the building. The restored Neve 8068 MkII anchors a room that monitors in Dolby-certified 7.1.4, so an immersive mix can be built and trusted in the same place a record is tracked. A large projection screen keeps picture in sync for film and video work.

The Studio A Live Room is one of the only venues in the world where an audience experiences Dolby Atmos the way it was designed to be heard, mixed live, in the room, by a world-class engineer. With capacity for up to 180 guests, it's the natural home for album premieres, artist showcases, and performances that stay with people long after they leave.

The most relaxed room in the building, wrapped in album art and warm light, and the easiest place to sit with an immersive mix without the formality of the main console. It works as a green room during events and as an intimate listening, podcast, and content space the rest of the time.

Mix This! is where Bob Clearmountain works, including the immersive remixes that have brought catalog records into a new format. It is a working mix room first, tuned for the precision a Dolby Atmos master demands.

The companion space to the mix room, set up for clients and guests to hear an immersive mix in comfort. It closes the loop: a record can be mixed next door and heard here exactly as intended, in full surround.